In search of civility bookreader
Loneliness in that place on a Thursday afternoon and the other people who wouldīe there present or the kinds of record stores where I would at look at things
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It's associated for me with the feeling of that lobby and the strange What it was to go to the Thalia and watch Bunuel films.
#In search of civility bookreader movie#
These kinds of limits and always a physical relationship - a movie theater that I still had to make really complicated priorities for myselfīecause there was so much that seemed so compelling, potentially compelling.Īnd it wasn't too hard to get a hold of it.
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I wouldn't have had any notion that I was Me, or anyone my age, as somehow suffering from a drought. The strange thing that the question sets up is an image of So in that way, it was like I was surrounded. Getting all these versions of importance or interest out of the obscure past or Or 15 years old, just gobbling down some curators’ ideas of cinema. I was in New York CityĪnd there were great repertory houses and I started going to them when I was 14 Parents had a good record collection and really interesting books on the I grew up in New York City.Ĭompared to other versions of access in our generation, I had great access. Really peculiar thing for me to think about how I would relate differently. Books I guess, can still do that, but it’s a Just staring at the jacket or the title or what you’ve heard about it, and having It’s like having a book unread on your shelf and Years before I’d lay hands on it at times, and that creates this sort of I might envision a given song or movie for five or ten I spent a lot of time thinking about a culture that Some old vinyl or something, and you know, the delay that inserts, the I’d have to go find some broken down piece of media, I had to make each andĮvery one of those things that compelled me -because of the name or hisĭescription - a search. I didn’t know the names at all, and IĬouldn’t just go skimming around and get a little taste.
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Together like his esoteric nod to the history of rock and roll and like 80 Now when I read that collection, I see it put Really interesting because I do think of the procedural experience of having toĭig, having to find out what, let’s say, all of those names in the back of Kind of career path you would have had without a culture of physical objects? Recently I talked with the author about our rapidly dematerializing culture as well as appropriation as an art practice: Yet, stories Lethem relates of hosting "mailing parties" for the Philip K Dick Society or working in a bookstore seem like snapshots from pre-digital age. The Ecstasy of Influence, now the title of his recent collection of writings, often addresses the process of integrating and "cobbling together" ideas and culture to make something new. Sandra Day O'Connor and Ralph Waldo Emerson are stitched in too. In 2007, novelist Jonathan Lethem published an essay in Harper's ending with a grand reveal: "every line I stole, warped, and cobbled together." The patchwork includes dozens of sources - part of a Steve Erickson novel, something from a Pitchfork review, a quote from an interview with Rick Prelinger.